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BICE LAZZARI,
L'incanto del segno (The Charm of the Sign): Almost a self portrait
in 23 drawings (1929-1981), chosen from among the many of her archive, reproduced
in facsimile; the brief autobiography dictated by her not long before her
death; her thoughts on art; her poems. Essential itinerary of the painter
spanning her whole working life. |
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PAOLA LEVI MONTALCINI,
Discordanze: Fragments of Saffo which seem to precipitate as if drawn
into the darkness of far away sidereal spaces. Cold and perfect geometries
evocative of space and silence... A contemplation of the unknown and of
un-time. The volume contains the 12 works size 30 by 60 cm the artist produced
in 1991 for this publication. As a preface, a letter by Rita Levi Motalcini
to the artist, her sister Paola. |
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SARA CAMPESAN,
Virginia Woolf - Itinerario (bio)grafico (A (bio)graphical Itinerary):
This is a 6 metre (horizontally) long work formed by 20 colour plates (folded
concertinawise) and is the original interpretation Sara Campesan offers
of the life and work of Virginia Woolf. The volume includes an index, a
bio-bibliographical chronology of Virginia Woolf, and her "Peace Thoughts
During an Air Raid", a short critical essay on Sara Campesan. |
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MIRELLA BENTIVOGLIO,
Un albero di pagine (A Tree of Leaves): Between images and critical
reflections Mirella Bentivoglio follows the stages of her "action in progress"
dedicated to THE TREE: the exhibition, in the city square, of a felled tree,
the honouring it by passers by written on bits of paper stuck on to the
branches, the conversion of the messages into a collective poem, the transformation
of the tree structure into art work... |
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LAURA CASTAGNO,
Luoghi Partiture Stanze (Places Scores Rooms): Dedicated to the "Rooms"
by Laura Castagno: enclosed spaces which the artist has created in both
historical and contemporary spaces in Europe. |
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MARIA BERNARDONE,
Sovrapposizioni (Superimpositions): The title refers to the composition
of the book: translucent leaves over opaque leaves where the signs - very
cleanly defined - cross and create other forms where the subjects fuse together.
It is all accompanied by quotations from Simone Weil chosen by Maria Bernardone
to time and underline her own research. |
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GIOSETTA FIORONI
- A.ZANZOTTO, Attraverso l'evento (Through the Event): 21 drawings
by G. Fioroni accompany as many poems from the whole works of A. Zanzotto.
Between incantation and irony the memory of the artist inspires enigmatic
and fairy-tale figurations. |
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ROSANNA LANCIA
- B.FRABOTTA, Tensioni (Tensions): Dedicated to the American
poet Sylvia Plath (1932-1963) this volume is made of 12 coloured tables
30 by 90 by Rosanna Lancia and the dramatic dialogue "Exorcism" by Biancamaria
Frabotta. |
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FRANCA GRILLI,
Haiku: Fine drawings are a sophisticated equivalent to the poems
accompanying them. Thirty of each genre. The Haikus are printed in the original
with a translation into Italian (translators Carla Vasio and Michico Nojiri)
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MARILU' EUSTACHIO
- E.DICKINSON, Un peso viola (A Purple Burden): Marilů Eustachio,
a painter particularly sensitive to the visionary power of the poetic word,
listens with her eyes to Emily Dickinson's poems, creating the intense
and exclusive figurations published in this volume (translation of the poems
into Italian: Barbara Lanati). |
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RENATA BOERO,
Africa: A Journal of her journey into Africa, into the soul, into
her art. 12 tables 30 by 60, powerful images where the traveller-spectator
loses oneself, overcome by the alchemical energy of the painting, the matter
which composes it, the scents that inspire the vision. Introduction by Paolo
Fossati, verses by Charles Carrčre (translations into Italian and into English:
Maria-Luisa Minio-Paluello)
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